STACCATO & NORTH-DRUM-SOUNDS: RECORDING SESSION 10/2020
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Staccato with OH
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Staccato dry
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North: Wiggle and Waggle Vibrations: Direct Smartphonesound
STACCATO-DRUMS / ENGLAND (1977)
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TOM WENDT
Tom Wendt ist Public-Relations- und Marketing-Manager und künstlerisch als Produzent und Singer/Songwriter aktiv. In der MI-Szene ist er seit mehr als 25 Jahren als PR-Officer eine bekannte Größe. www.ictw.de www.skatingdog.com Mikros: Sennheiser, Neumann, AKG, Shure, Audio Technica, Electro Voice (von AK). Recording: Zoom LiveTrak L-20R, Add. Snares: Tama Superstar 14" x 6,5", DW 13" x 6" Acryl, DW-Maple 14" x 5", PDP-Maple 14" x 5" Becken: Sabian AAX, Rack: Pearl DR-513 |
STACCATO-DRUM, 6", 8", 10", 12", 16", 22"
We had so much fun to record these cool Vintage-Kits. This was our fist trial. We just wanted to hear these 70s-Kits alive.
Modern Maple-Kits mit resonant Drum Heads sound more dynamic and dense, more complex and fat, but this is Vintage.
The typical 70s-Singlehead-Sound!
Samplerate: 44.100 Hz / 24 bit / aif
5 Hits (soft to hard) pro Tom + 1 x Rim + 1 x Rimshot
Drums: Michael Krüger, Recording: Tom Wendt, Hamburg, 10/2020
We had so much fun to record these cool Vintage-Kits. This was our fist trial. We just wanted to hear these 70s-Kits alive.
Modern Maple-Kits mit resonant Drum Heads sound more dynamic and dense, more complex and fat, but this is Vintage.
The typical 70s-Singlehead-Sound!
Samplerate: 44.100 Hz / 24 bit / aif
5 Hits (soft to hard) pro Tom + 1 x Rim + 1 x Rimshot
Drums: Michael Krüger, Recording: Tom Wendt, Hamburg, 10/2020
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STACCATO 6"
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STACCATO 8"
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STACCATO 10"
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STACCATO 12"
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STACCATO 16"
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STACCATO 22"
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DW-SNARE MAPLE 14" x 5"
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STACCATO-DRUM, FILLS + BEATS
105 bpm (Fill 1, 2) - In the Air tonight - 16tel Rolls 125 bpm (Fill 3, 4, 5, 6, 12, 13, 14 - Herta-Fill KKRL-KKRL-KKRLRL - Hihat/Tom - Double-Fill-In - Weckl-KK-RL (Ts, T1) KK-RLLRRL - Snare-Fill - Rabb-One Hand Roll |
150 bpm (Fill 7)
- Hihat-Break Latham 160 bpm (Fill 8, 9) - Double-Bass-Double-Stroke 180 bpm (Fill 10, 11) RLRL-KK-RLRL-KK-RLRL 3-OT SONGS 15. Totentanz 100 bpm 16. Dia de los Muertos 110 bpm 17. Scharlachroter Schnee 170 bpm 18. In the Air Style 105 bpm |
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STACCATO FILL 1 - 105bpm
STACCATO FILL 2 - 105bpm
STACCATO FILL 3 - 125bpm
STACCATO FILL 4 - 125bpm
STACCATO FILL 5 - 125bpm
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STACCATO FILL 10 - 180bpm
STACCATO FILL 11 - 180bpm
STACCATO FILL 12 - 125bpm
STACCATO FILL 13 - 125bpm
STACCATO FILL 14 - 125bpm
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STACCATO FILL 6 - 125bpm
STACCATO FILL 7 - 150bpm
STACCATO FILL 8 - 160bpm
STACCATO FILL 9 - 160bpm
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STACCATO OT-SONG 1 - TOTENTANZ 100 bpm
STACCATO OT-SONG 2 - DIA DE LOS MUERTOS 110 bpm
STACCATO OT-SONG 3 - SCHARLACHROT #3 170 bpm
STACCATO SONG - AIR TONIGHT JAM 105 bpm
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NORTH-DRUMS / USA (1973)
NORTH-DRUM, 8", 10", 12", 16", 22"
SAMPLES: Samplerate: 44.100 Hz. Bit-Auflösung: 24, Format: .aif
5 Hits (soft to hard) pro Tom + 1x Rim + 1x Rimshot
Drums: Michael Krüger, Recording: Tom Wendt (Skating Dog), Hamburg, 10/2020
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NORTH 8"
NORTH 10"
NORTH 12"
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NORTH 16"
NORTH 22"
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NORTH-DRUM, FILLS + BEATS
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160 bpm (Fill 10, 11, 12)
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NORTH FILL 1 - 105bpm
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NORTH FILL 11 - 160bpm
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NORTH FILL 2 - 105bpm
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NORTH FILL 12 - 160bpm
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NORTH FILL 3 - 120bpm
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NORTH FILL 13 - 180bpm
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NORTH FILL 4 - 125bpm
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NORTH FILL 14 - 180bpm
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NORTH FILL 5 - 125bpm
NORTH FILL 6 - 125bpm
NORTH FILL 7 - 125bpm
NORTH FILL 8 - 125bpm
NORTH FILL 9 - 125bpm
NORTH FILL 10 - 160bpm
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NORTH OT-SONG 1 - TOTENTANZ 100 bpm
NORTH OT-SONG 1b - TOTENTANZ 100 bpm
NORTH OT-SONG 2 - DIA DE LOS MUERTOS 110 bpm
NORTH OT-SONG 3 - SCHARLACHROT #3 170 bpm
NORTH SONG - AIR TONIGHT JAM 105/120 bpm
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Cool Guide: The Ultimate Beginner’s Guide To Recording Drums
By Gideon Waxman
Recording drums is widely regarded as one of the trickiest skills to learn for a studio engineer. This is because there is a lot of equipment to set up, specific techniques to grasp, and a lot of tuning involved!
The drum set is the most time-consuming instrument to record, so it’s important to take a thought out and structured approach. It requires patience and a clear vision of what you want to achieve from the recording session.
I have written this guide to show you that by following basic principles you can obtain great drum sounds without having to rent a world-class recording studio.
Read the whole Article
The drum set is the most time-consuming instrument to record, so it’s important to take a thought out and structured approach. It requires patience and a clear vision of what you want to achieve from the recording session.
I have written this guide to show you that by following basic principles you can obtain great drum sounds without having to rent a world-class recording studio.
Read the whole Article
- Kick EQ – Adding a bump at 60Hz will give you some thick low-end. Add 3-5kHz for some ‘knock’ and some 10kHz for some click. Try cutting around 400-500Hz, this will stop your bass drum from sounding like a cardboard box.
- Snare EQ – If you want your snare to hit you in the chest, add a bump at 150-200Hz. For more body to your snare add the frequencies around 500Hz. And for more attack, add 5kHz.
- Toms EQ – For toms you want to reduce boxiness and increase thump and attack. Add 100Hz for some thump and 3-5kHz for clarity. Cut the mid frequencies for toms to remove the boxy sound, but be sure to leave some left so the toms don’t sound hollow.
- Overheads EQ – With the overheads your aim is to increase presence in the upper mids and high frequencies whilst reducing overall boxiness in some of the lower frequencies. If the close-mics are all sounding great you can use a high-pass filter to cut out everything below 500Hz.
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TEL++49 176 87 99 51 25
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mail'at' micha-krueger.com
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