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STACCATO & NORTH



RECORDING 2020/21

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STACCATO & NORTH-DRUM-SOUNDS: RECORDING SESSION 10/2020

Staccato with OH
Staccato dry
North: Wiggle and Waggle Vibrations: Direct Smartphonesound
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  STACCATO-DRUMS / ENGLAND (1977)

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TOM WENDT
Tom Wendt ist Public-Relations- und Marketing-Manager und künstlerisch als Produzent und Singer/Songwriter aktiv.
In der MI-Szene ist er seit mehr als 25 Jahren als PR-Officer eine bekannte Größe. 
www.ictw.de
www.skatingdog.com

Mikros: Sennheiser, Neumann, AKG, Shure, Audio Technica,
Electro Voice (von AK).
Recording: Zoom LiveTrak L-20R,
Add. Snares: Tama Superstar 14" x 6,5", DW 13" x 6" Acryl,
​DW-Maple 14" x 5", PDP-Maple 14" x 5"
Becken: Sabian AAX, Rack: Pearl DR-513


STACCATO-DRUM, 6", 8", 10", 12", 16", 22"
We had so much fun to record these cool Vintage-Kits. This was our fist trial. We just wanted to hear these 70s-Kits alive.
Modern Maple-Kits mit resonant Drum Heads sound more dynamic and dense, more complex and fat,  but this is Vintage.
The typical 70s-Singlehead-Sound!
​
​Samplerate: 44.100 Hz / 24 bit / aif
5 Hits (soft to hard) pro Tom + 1 x Rim + 1 x Rimshot
​Drums: Michael Krüger, Recording: Tom Wendt, Hamburg, 10/2020
STACCATO 6"
STACCATO 8"
STACCATO 10"
STACCATO 12"
STACCATO 16"
STACCATO 22"
DW-SNARE MAPLE 14" x 5"
STACCATO-DRUM, FILLS + BEATS
105 bpm (Fill 1, 2)
- In the Air tonight 
- 16tel Rolls
​
125 bpm  (Fill 3, 4, 5, 6, 12, 13, 14
- Herta-Fill  KKRL-KKRL-KKRLRL
- Hihat/Tom
- Double-Fill-In
- Weckl-KK-RL (Ts, T1) KK-RLLRRL
- Snare-Fill
- Rabb-One Hand Roll
150 bpm (Fill 7)
- Hihat-Break Latham

160 bpm (Fill 8, 9)
- Double-Bass-Double-Stroke

180 bpm (Fill 10, 11)
RLRL-KK-RLRL-KK-RLRL

3-OT SONGS
15. Totentanz 100 bpm
16. Dia de los Muertos 110 bpm
17. Scharlachroter Schnee 170 bpm
18. In the Air Style 105 bpm
STACCATO FILL 1 - 105bpm
STACCATO FILL 2 - 105bpm
STACCATO FILL 3 - 125bpm
STACCATO FILL 4 - 125bpm
STACCATO FILL 5 - 125bpm
STACCATO FILL 10 - 180bpm
STACCATO FILL 11 - 180bpm
STACCATO FILL 12 - 125bpm
STACCATO FILL 13 - 125bpm
STACCATO FILL 14 - 125bpm
STACCATO FILL 6 - 125bpm
STACCATO FILL 7 - 150bpm
STACCATO FILL 8 - 160bpm
STACCATO FILL 9 - 160bpm
STACCATO OT-SONG 1 - TOTENTANZ 100 bpm
STACCATO OT-SONG 2 - DIA DE LOS MUERTOS 110 bpm
STACCATO OT-SONG 3 - SCHARLACHROT #3 170 bpm
STACCATO SONG - AIR TONIGHT JAM 105 bpm
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  NORTH-DRUMS / USA (1973)

NORTH-DRUM,  8", 10", 12", 16", 22"
SAMPLES: Samplerate: 44.100 Hz. Bit-Auflösung: 24, Format: .aif
5 Hits (soft to hard) pro Tom + 1x Rim + 1x Rimshot
​Drums: Michael Krüger, Recording: Tom Wendt (Skating Dog), Hamburg, 10/2020

NORTH 8"
NORTH 10"
NORTH 12"
NORTH 16"
NORTH 22"

NORTH-DRUM, FILLS + BEATS
105 bpm (Fill 1, 2)
- In the Air tonight 
- 16tel Rolls
​
125 bpm  (Fill 3 (120), 4, 5, 6, 7, 8, 9)
- Herta-Fill  KKRL-KKRL-KKRLRL
- Hihat/Tom
- Double-Fill-In
- Weckl-KK-RL (Ts, T1) KK-RLLRRL
- Snare-Fill
- Rabb-One Hand Roll

160 bpm (Fill 10, 11, 12)
- Double-Bass-Double-Stroke

180 bpm (Fill 13, 14)
RLRL-KK-RLRL-KK-RLRL

3-OT SONGS
15. Totentanz 100 bpm
16. Totentanz B 100 bpm

​17. Dia de los Muertos 110 bpm
18. Scharlachroter Schnee 170 bpm
19. In the Air Style 105 bpm

NORTH FILL 1 - 105bpm
NORTH FILL 11 - 160bpm
NORTH FILL 2 - 105bpm
NORTH FILL 12 - 160bpm
NORTH FILL 3 - 120bpm
NORTH FILL 13 - 180bpm
NORTH FILL 4 - 125bpm
NORTH FILL 14 - 180bpm
NORTH FILL 5 - 125bpm
NORTH FILL 6 - 125bpm
NORTH FILL 7 - 125bpm
NORTH FILL 8 - 125bpm
NORTH FILL 9 - 125bpm
NORTH FILL 10 - 160bpm
NORTH OT-SONG 1 - TOTENTANZ 100 bpm
NORTH OT-SONG 1b - TOTENTANZ 100 bpm
NORTH OT-SONG 2 - DIA DE LOS MUERTOS 110 bpm
NORTH OT-SONG 3 - SCHARLACHROT #3 170 bpm
NORTH SONG - AIR TONIGHT JAM 105/120 bpm
Cool Guide: The Ultimate Beginner’s Guide To Recording Drums 
By Gideon Waxman
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Recording drums is widely regarded as one of the trickiest skills to learn for a studio engineer. This is because there is a lot of equipment to set up, specific techniques to grasp, and a lot of tuning involved!
The drum set is the most time-consuming instrument to record, so it’s important to take a thought out and structured approach. It requires patience and a clear vision of what you want to achieve from the recording session.
I have written this guide to show you that by following basic principles you can obtain great drum sounds without having to rent a world-class recording studio.

Read the whole Article


  • Kick EQ – Adding a bump at 60Hz will give you some thick low-end. Add 3-5kHz for some ‘knock’ and some 10kHz for some click. Try cutting around 400-500Hz, this will stop your bass drum from sounding like a cardboard box.
  • Snare EQ – If you want your snare to hit you in the chest, add a bump at 150-200Hz. For more body to your snare add the frequencies around 500Hz. And for more attack, add 5kHz.
  • Toms EQ – For toms you want to reduce boxiness and increase thump and attack. Add 100Hz for some thump and 3-5kHz for clarity. Cut the mid frequencies for toms to remove the boxy sound, but be sure to leave some left so the toms don’t sound hollow.
  • Overheads EQ – With the overheads your aim is to increase presence in the upper mids and high frequencies whilst reducing overall boxiness in some of the lower frequencies. If the close-mics are all sounding great you can use a high-pass filter to cut out everything below 500Hz.
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KONTAKT
MICHAEL KRÜGER  22765 HAMBURG 
Deutscher PRESSE VERBAND (DPV)
MITGLIEDS-NR. DE-536021-001


TEL

++49 176 87 99 51 25


E-mail

mail'at' micha-krueger.com